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Stafford

[ Past ] Classic Album Sundays Stafford Presents Led Zeppelin ‘Led Zeppelin...

Time and Date: Sunday November 10th 2019 4:00pm – 8:00pm
Blogs

Rocky Mountain Audio Fest 2019: Dorothy Ashby ‘Afro-Harping’

In our latest Rocky Mountain Audio Fest 2019 blog we'll explore the groundbreaking work of jazz harpist Dorothy Ashby.
Stafford

[ Past ] Classic Album Sundays Stafford Presents The Beach Boys ‘Pet...

Time and Date: Sunday June 9th 2019 4:00pm - 8:00pm
Stafford

[ Past ] Classic Album Sundays Stafford Presents Van Morrison ‘Astral Weeks’

Time and Date: Sunday May 12th 2019 4:00pm - 8:00pm
Orkney

[ Past ] Classic Album Sundays Orkney Presents The Beatles ‘Sgt. Pepper’s...

Time and Date: Sunday April 14th 2019 4:00pm
Stafford

[ Past ] Classic Album Sundays Stafford Presents The Beatles ‘Rubber Soul’

Time and Date: Sundays April 7th 2019 4:00pm - 8:00pm
Past Albums Of The Month

The Story Of Miles Davis ‘In A Silent Way’

"The thing I have to do now is make things connect, make them mean something in what I play around it.” - Miles Davis
News

Miles Davis Album Of The Month Poster

We've teamed up with the Flood Gallery for our new Miles Davis poster.
Stavanger

[ Past ] Classic Album Sundays Stavanger Presents Miles Davis ‘In A...

Time and Date: Sunday 24th February 2:00pm - 4:00pm
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The Police ‘Synchronicity’ with Kent Horne & Rob Young at Classic Albums at Home

The album marked a significant reduction in the reggae influences that were a part of the band's first four records, instead featuring production-heavy textures and liberal use of synthesizers that, at times, drove entire songs.

Brian Eno ‘Ambient 1: Music for Airports’ with Kent Horne at Classic Albums at...

Four compositions created by layering tape loops of differing lengths, and was designed to be continuously looped as a sound installation, with the intent of defusing the tense, anxious atmosphere of an airport terminal.

Nightmares On Wax ‘Smokers Delight’ with Colleen ‘Cosmo’ Murphy and George Evelyn

An eclectic and well-implemented array of live musical influences and the raw resonance of the production define 'Smokers Delight', marking it out as an album that rises above the too often bleep-orientated ambience of the leftfield movement
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