Max Richter & André de Ridder on Max Richter Recomposed: Vivaldi...
The post-minimalist composer and the world renowned conductor discuss the blurring of boundaries between electronic and classical music in conversation with Colleen ‘Cosmo’ Murphy at Spitalfields Music Festival.
My Classic Album: Pink Floyd’s Nick Mason on ‘Dark Side of...
How did an album about mental illness, mortality and the need for human empathy stay on the U.S. Billboard Charts for 741 weeks (14 years)?
Ego Ella May on Sade ‘Diamond Life’
Ego Ella May joins Tina Edwards to look back at the album that became the best-selling debut album by a British female vocalist, a record that stood for 24 years.
DJ Yoda on De La Soul ‘3 Feet High and Rising’
Promising a new era of positivity in hip-hop, De LA Soul paved the way for a generation of rap artists.
Erykah Badu ‘Mama’s Gun’
'Mama's Gun' presented a more honestly raw Badu singing directly from her heart rather than her head. The results are consistently tasteful, which only helps to prove once again that Badu was miles ahead of the rest.
Manuel Göttsching on ‘E2-E4’
Manuel Göttsching joins Colleen 'Cosmo' Murphy at London's Brilliant Corners to discuss his classic album that transcended prog rock into the dance music world. It would go on to be an underground anthem in clubs from Ibiza to New York City.
The Kooks on ‘Inside In/Inside Out’
The Kooks join Tina Edwards to celebrate 15 years of their debut album ‘Inside In/Inside Out’
Gary Crosby OBE on Charles Mingus ‘The Black Saint and The...
'The Black Saint and the Sinner Lady', consisting of a single continuous composition— partially written as a ballet, is under the microscope with Gary Crosby OBE and Tina Edwards.
Grace Jones ‘Slave to the Rhythm’
Like a musical mirage, the version of Grace Jones which appears before us will always be dazzling, inspiring, and ever so slightly out of reach.
