Marvin Gaye ‘Whats Going On’ with Colleen ‘Cosmo’ Murphy
Colleen 'Cosmo' Murphy tells the story behind one of her favourite records, 'Whats Going On' by Marvin Gaye as part of our 'Classic Albums at Home' programme.
Talk Talk ’Spirit of Eden’ with CAS Sydney’s Jean-Philippe Ducharne
Often working in darkness, the band recorded many hours of improvised performances that drew on elements of jazz, ambient, blues, classical music, and dub. These long-form recordings were then heavily edited and re-arranged into an album in mostly digital format.
Cocteau Twins ‘Heaven Or Las Vegas’ with CAS London’s Tina Edwards
4AD label founder Ivo Watts-Russell revealed that this album wasn’t just his favourite Cocteaus album but also his favourite all-time 4AD album, and “by a long shot”, calling it “the perfect record!
De La Soul ‘3 Feet High and Rising’ with CAS Washington...
The first of three collaborations with Prince Paul, '3 Feet High and Rising' proved that hip-hop music was more than just rapping about the ghetto.
Brian Eno ‘Ambient 1: Music for Airports’ with CAS Oslo’s Kent...
Four compositions created by layering tape loops of differing lengths, and was designed to be continuously looped as a sound installation, with the intent of defusing the tense, anxious atmosphere of an airport terminal.
Spiritualized ‘Lazer Guided Melodies’ with CAS London’s Joe Muggs
Lazer Guided Melodies is unique in Jason Pierce's oeuvre as it simultaneously explores motorik, minimalist music, and space rock while subtly using "meticulously detailed, layered instrumentation, the sumptuous deployment of horns and strings" to create cinematic, textured, and deeply narcotic soundscapes.
Marillion ‘Misplaced Childhood’ with CAS Orkney’s Adrian Holmes
'Misplaced Childhood' is a concept album loosely based on the childhood of Marillion's lead singer, Fish, who was inspired by a brief incident that occurred while he was under the influence of acid.
The Police ‘Synchronicity’ with CAS Oslo’s Kent Horne & Rob Young
The album marked a significant reduction in the reggae influences that were a part of the band's first four records, instead featuring production-heavy textures and liberal use of synthesizers that, at times, drove entire songs.
Fugees ‘The Score’ with CAS Washington DC’s Joe Lapan
'The Score' features a wide range of samples and instrumentation, with many aspects of alternative hip-hop that would come to dominate the hip-hop music scene in the mid-late 1990s. Hear the full story behind the album!

















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